FOTOGRAFÍA Y FOTÓGRAFOS



PICTORIAL EFFECT IN PHOTOGRAPHY (ROBINSON, HENRY PEACH)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE PHOTOGRAM; VOLUME 3 (ANONYMOUS)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

LIJAH HANLEY (HANLEY, LIJAH;GASCHE-HANLEY, GABRIELLE)
Lijah Hanley Fine Art Photography is a coffee table book that contains the entire portfolio of Lijah Hanley. The stories behind the images also acompany some of the images. This book attempts to bridge the gap between photographer and viewer by sharing the stories behind the image.?

DAVID BAILEY – IS THAT SO KID (BAILEY, DAVID)
David Bailey was the model for the swinging playboy photographer in Michelangelo Antonioni's classic 1966 film, Blow-Up. Born in London in 1938, Bailey had, by 1960, become the first celebrity photographer--known especially for his revolutionary work for Vogue, and for the fact that he socialized with actors, musicians and royalty. His many influential books include, Trouble and Strife (1980), Nudes (1984), If We Shadows (1991), The Lady Is a Tramp (1995) and Rock 'n' Roll Heroes (1997). Bailey's Box of Pin-Ups (1964)--a box of posters of London celebrities like Terence Stamp, The Beatles and the notorious East End gangsters, The Kray Twins--remains an extremely influential publication for its then-odd close cropping of the subjects' heads, which has since become a common technique in fashion photography, in order to give the illusion that the model is larger than life. In 1973, Bailey did all his major fashion shoots for British Vogue with actress and, at that time, occasional model, Anjelica Huston. This irresistible volume chronicles the duo's fiery photographic collaboration. The title, "Is That So Kid," is borrowed from Huston's father, film director John Huston's, trademark retort.