This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dominó Caníbal proposed as a counter-model to the usual types of artistic participation, presenting it as a platform made up of overlaps and discontinuities between various artists who engage with one another successively and in stages in the same space, cannibalizing (reinterpreting, demolishing and appropriating) the work of the other participants.The relationship between dominos and cannibalism is not as gratuitous as it may seem. On the one hand, the Manifiesto antropófago (Cannibal Manifesto), written in 1928 by the Brazilian poet Oswald de Andrade, suggested cannibalism as a metaphor for rebellion against the myths of originality and cultural identity. And on the other hand, the game of dominoes is itself the product of the successive cannibalization of its components: it is a truly trans- cultural object. Based on Chinese dice games, and taken, like pasta, to Italy, it ended up spreading with the Iberian colonization of the new world and become the most popular table game in Latin American societies.The aim of Dominó caníbal is to bring together all this imagery by inviting a group of artists Jimmie Durham, Cristina Lucas, Bruce High Quality Foundation, Tania Bruguera and Francis Alÿs among others to act in a space established not in terms of autonomy and individual identity but rather as a venue for ongoing negotiation between languages, materials and aesthetics.
Catàleg de l'exposició itinerant sobre aquest art, declarat Patrimoni de la Huma nitat per la UNESCO l'any 1998, i que afecta 757 jaciments arqueològics de sis c omunitats autònomes: Catalunya, Andalusia, Múrcia, Aragó, Castella-la Manxa i Va lència. L'exposició, fruit del treball conjunt d'aquestes sis comunitats, fa pal ès l'alt valor d'aquest tipus de jaciments i apropa aquest patrimoni comú a tots els ciutadans.
Este libro constituye un verdadero hito bibliográfico, tanto por su valor intrínseco como por su especial significación. La «suite» de dibujos de Antoni Tàpies fue realizada entre 1950-1951, en el momento culminante de su etapa onírica, cuando la huella del surrealismo y la consolidación de su propia personalidad cristalizaban ya en obras de una extraordinaria altura. Los poemas en prosa de Joan Brossa, contemporáneos de dichos dibujos, son una visión paralela del mundo en lo literario, con unos hallazgos de profundo lirismo y una originalidad que justifican, por sí solos, el primerísimo lugar que ocupa este poeta en la literatura catalana.Así unidos, dibujos y poemas, constituyen además un testimonio de aquellos años en que fueron realizados.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dominó Caníbal proposed as a counter-model to the usual types of artistic participation, presenting it as a platform made up of overlaps and discontinuities between various artists who engage with one another successively and in stages in the same space, cannibalizing (reinterpreting, demolishing and appropriating) the work of the other participants.The relationship between dominos and cannibalism is not as gratuitous as it may seem. On the one hand, the Manifiesto antropófago (Cannibal Manifesto), written in 1928 by the Brazilian poet Oswald de Andrade, suggested cannibalism as a metaphor for rebellion against the myths of originality and cultural identity. And on the other hand, the game of dominoes is itself the product of the successive cannibalization of its components: it is a truly trans- cultural object. Based on Chinese dice games, and taken, like pasta, to Italy, it ended up spreading with the Iberian colonization of the new world and become the most popular table game in Latin American societies.The aim of Dominó caníbal is to bring together all this imagery by inviting a group of artists Jimmie Durham, Cristina Lucas, Bruce High Quality Foundation, Tania Bruguera and Francis Alÿs among others to act in a space established not in terms of autonomy and individual identity but rather as a venue for ongoing negotiation between languages, materials and aesthetics.
Catàleg de l'exposició itinerant sobre aquest art, declarat Patrimoni de la Huma nitat per la UNESCO l'any 1998, i que afecta 757 jaciments arqueològics de sis c omunitats autònomes: Catalunya, Andalusia, Múrcia, Aragó, Castella-la Manxa i Va lència. L'exposició, fruit del treball conjunt d'aquestes sis comunitats, fa pal ès l'alt valor d'aquest tipus de jaciments i apropa aquest patrimoni comú a tots els ciutadans.
Este libro constituye un verdadero hito bibliográfico, tanto por su valor intrínseco como por su especial significación. La «suite» de dibujos de Antoni Tàpies fue realizada entre 1950-1951, en el momento culminante de su etapa onírica, cuando la huella del surrealismo y la consolidación de su propia personalidad cristalizaban ya en obras de una extraordinaria altura. Los poemas en prosa de Joan Brossa, contemporáneos de dichos dibujos, son una visión paralela del mundo en lo literario, con unos hallazgos de profundo lirismo y una originalidad que justifican, por sí solos, el primerísimo lugar que ocupa este poeta en la literatura catalana.Así unidos, dibujos y poemas, constituyen además un testimonio de aquellos años en que fueron realizados.