Artes: aspectos generales



THE POETICS OF REASON . 5TH LISBON ARCHITECTURE TRIENNALE (LAPIERRE, ÉRIC / AMBRA FABIB AND GIOVANNI PIOVENE / MARIABRUNA FABRIZI AND FOSCO LUCARELLI / MAROT, SÉBASTIEN / LAURENT ESMILAIRE AND TRISTAN CHADNEY)
This is a book series for the fith edition of Lisbon Architecture Triennale. A unique and limited collection edited by the curatorial team of The Poetics of Reason: a sparkling intellectual reflection from a three-year investigation on architectural rationality. With stunning visual references, these five books explore the various subjective and non-scientific dimensions of architecture with contributions from architects, philosophers, artistsand acclaimed authors. ECONOMY OF MEANS Form is the horizon of any human activity. Architecture is a discipline aiming at defining the form of buildings. Economy of Means : How Architecture Works aims at defining the good architectural form. Economy of means is its D.N.A. Beyond this, by questioning the economy of means both as an aesthetic category and as a conceptual tool, the book proposes to renew architecture to face global warming and scarcity of resources from within the architecture discipline. WHAT IS ORNAMENT? The book is organized as a reader: a collection of contributions, ranging from Vitruvius to the current day dealing, in different ways with the debate around ornament. Exploring patterns, intended as regularly repetitive arrangements reflecting the time and the society in which they are conceived; looking at information superstructures like texts, frescoes and screens, when they become the main instrument to compose a building; enlarging ornament to the whole urban environment, embracing the complexity of shared space and imagining it as a scene for the development of public life. INNER SPACE Inner Space is part of an ongoing research project into the construction of the architectural imagination, which the authors have pursued in the last decade through an online visual atlas (socks-studio.com), an architectural practice and teaching activity. This essay investigates the space between inner and outer reality, looking for those moments in which the two realms interact most vividly. TAKINGTHE COUNTRY'S SIDE. AGRICULTURE AND ARCHITECTURE Are metropolises really the manifest destiny of humankind? Is the environmental predicament calling for more concentration and incorporation? Or is it conducive to some kind of urban exodus? By and large, what might be the principles and ethics of design in such a condition? These are some of the issues that this book addresses. NATURAL BEAUTY On the one hand, the publication takes the form of a series of statements on architecture, construction, rationality and photography. On the other, it proceeds as a photographic essay of Tatiana Macedo, that gathers side by side constructive forms, taking advantage of the structure of a book.

CAMPOS MAGNÉTICOS . ESCRITOS DE ARTE Y POLÍTICA (BORJA-VILLEL, MANUEL)
Arte y política son ámbitos fuertemente interconectados, se atraen y se repelen, dibujan continuidades y provocan rupturas, y los ensayos que se recogen en el presente volumen se hallan sujetos a la tensión entre estas fuerzas. Ya sea como reflexión sobre la condición contemporánea, sobre la práctica artística o sobre los límites y la potencialidad del museo, cada uno de los escritos se halla situado en el tiempo y el espacio, y todos ellos reflejan la trayectoria intelectual de Manuel Borja-Villel al frente de importantes instituciones museísticas, así como algunas de sus inquietudes curatoriales como responsable de numerosas exposiciones o programas públicos a lo largo de los últimos treinta años. Defensor de la hibridación y el trasvase de saberes frente a la compartimentación estanca del conocimiento y su forma de organización, este libro apuesta por la investigación extradisciplinar y la interrelación de múltiples campos. Y es ante todo una invitación a reflexionar sobre el arte, sus organizaciones y sus actores.

THE LIFE OF MICHELANGELO BUONARROTI (ADDINGTON SYMONDS , JOHN/BUONARROTI, MICHELANGELO)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE CHEMICAL TECHNOLOGY OF TEXTILE FIBRES (GEORGIEVICS, GEORG VON/SALTER, CHARLES THOMAS COLLEY)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE PROFESSION OF BOOKSELLING (GROWOLL, ADOLF/LEYPOLDT, AUGUSTA HARRIET)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

OIL PAINTING (FOWLER,FRANK)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

DE L’ESPAI PERSONAL A L’ESPAI PÚBLIC (DESCARGA ANIENTO, JUAN FRANCISCO)
La Facultat de Belles Arts de la Universitat de Barcelona va tenir la iniciativa d?exhibir, el juny del 2011, una selecció de l?obra dels seus estudiants a la Casa Elizalde. Fruit del diàleg entre el professorat i els alumnes, l?exposició va presentar tant obres que s?inspiraven en llenguatges i tècniques tradicionals com d?altres que recorrien a tecnologies contemporànies. El conjunt de treballs, aplegats en aquest volum, no sols representa una mostra plural i heterodoxa de l?activitat creadora dels estudiants, sinó un clar exponent de l?art que es fa actualment a Barcelona.

PEN AND PENCIL SKETCHES, BEING THE JOURNAL OF A TOUR IN INDIA; VOLUME 1 (MUNDY, GODFREY CHARLES)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

MY SCHOOL AND MY GOSPEL (VON HERKOMER, HUBERT)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

OFFICIAL DESCRIPTIVE AND ILLUSTRATED CATALOGUE; VOLUME 3 (ELLIS, ROBERT/EXHIBITION, GREAT/GREAT BRITAIN. COMMISSIONERS FOR THE EXH)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

STORIES OF THE SPANISH ARTISTS UNTIL GOYA (MAXWELL, WILLIAM STIRLING/CARRE¤O, LUIS)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

POWER OF LIFE (BLACK WOLF, EDITION & PUBLISHING;PERLA, FABIO)
Perfect for drawing, it is part of ?Perla Collection?. The cover is in hardcover, case laminate, matte, to highlight the original drawings with colour pencils created by the artist Fabio Perla to whom the collection is dedicated. 100 inside white paper pages (4 ruled pages every 10 plain pages).

THE PSYCHOLOGY OF DRESS (PARSONS, FRANK ALVAH)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

PRINTING TYPES, THEIR HISTORY, FORMS, AND USE (UPDIKE, DANIEL BERKELEY)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.