Lluís Llongueras, a través de sus imágenes, lleva a cabo una de sus grandes pasiones: intuir, descubrir y admirar la incomparable belleza que se esconde en un cuerpo de mujer. Y lo hace a través de una mirada íntima y llena de sensibilidad, sabiendo encontrar en cada pliegue oculto la señal indeleble de una belleza latente y al mismo tiempo natural.
El estudio de la música producida por las culturas americanas precolombinas, dado su carácter de manifestación no accesible ya en su integridad, y pese a su importancia cultural, se ha visto tradicionalmente relegado en la bibliografía frente a los trabajos sobre las artes plásticas. Pero lo cierto es que puede demostrarse que su papel era privilegiado en la ordenación de las sociedades indígenas y que estaba fuertemente relacionada con otras artes, como la poesía y la danza. Cabe trazar de la siguiente forma las fases por las que ha pasado el juicio que la música precolombina ha sugerido a críticos e historiadores: después de una larga etapa de olvido o menosprecio, coincidente a grandes rasgos con el siglo XIX, las respectivas escuelas nacionales iberoamericanas han recuperado esta parte de su historia para los patrimonios culturales propios. Es notorio que faltaba, sin embargo, un texto desde la óptica española que se centrase en este objeto cultural perdido, algo que los estudiosos hispanos han dejado de lado, luego de ser los primeros en ocuparse del tema. Las fuentes españolas antiguas aportan datos valiosísimos sobre las músicas azteca o inca, pero dichos testimonios, que paralelamente tienen mucho de fundacionales de ciencias modernas como la antropología o la etnomusicología, surgen, sin embargo, esporádica o desordenadamente en el marco de escritos más amplios.
El cine español de los veinte años que van desde 1973 a 1992 vivió su suerte al compás del considerable cambio político del país. El paso desde la dictadura franquista al largo mandato socialista no podía resultar indiferente al devenir de una cinematografía permanentemente inscrita en la crisis. Reflejo más o menos directo de la realidad social y política, el cine español sufrió también su propia reforma afectado por las indudables transforamciones del espectáculo audiovisual, definiendo así una cruel paradoja, donde el forzado proteccionismo franquista al servicio de una política de control se vio irremediablemente suplantado por otro proteccionismo que se hizo necesario para la mera supervivencia de la cinematografía española. Pero esa evolución tuvo sus protagonistas destacados a uno y otro lado de la cámara, así como un puñado de filmes reveladores de las tendencias genéricas y temáticas dominantes, de los que este libro da cuenta, en un claro intento de articular una visión global de toda una época del cine español.
Se reúnen por primera vez en un solo volumen en edición facsimilar las tres obras referidas a Ciudad Real del historiador y académico de Bellas Artes, Rafael Ramirez de Arellano, respetando exactamente sus medidas en cuanto a caja y tipografías de los or
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catàleg de les obres premiades i seleccionades en la segona edició del Premi Internacional Guasch Coranty. El Premi té com a fita promoure i difondre la creació més innovadora a escala internacional realitzada per artistes professionals, amb edat no superior a 40 anys, que hagin acabat els seus estudis en escoles superiors i facultats de belles arts de qualsevol país del món.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lluís Llongueras, a través de sus imágenes, lleva a cabo una de sus grandes pasiones: intuir, descubrir y admirar la incomparable belleza que se esconde en un cuerpo de mujer. Y lo hace a través de una mirada íntima y llena de sensibilidad, sabiendo encontrar en cada pliegue oculto la señal indeleble de una belleza latente y al mismo tiempo natural.
El estudio de la música producida por las culturas americanas precolombinas, dado su carácter de manifestación no accesible ya en su integridad, y pese a su importancia cultural, se ha visto tradicionalmente relegado en la bibliografía frente a los trabajos sobre las artes plásticas. Pero lo cierto es que puede demostrarse que su papel era privilegiado en la ordenación de las sociedades indígenas y que estaba fuertemente relacionada con otras artes, como la poesía y la danza. Cabe trazar de la siguiente forma las fases por las que ha pasado el juicio que la música precolombina ha sugerido a críticos e historiadores: después de una larga etapa de olvido o menosprecio, coincidente a grandes rasgos con el siglo XIX, las respectivas escuelas nacionales iberoamericanas han recuperado esta parte de su historia para los patrimonios culturales propios. Es notorio que faltaba, sin embargo, un texto desde la óptica española que se centrase en este objeto cultural perdido, algo que los estudiosos hispanos han dejado de lado, luego de ser los primeros en ocuparse del tema. Las fuentes españolas antiguas aportan datos valiosísimos sobre las músicas azteca o inca, pero dichos testimonios, que paralelamente tienen mucho de fundacionales de ciencias modernas como la antropología o la etnomusicología, surgen, sin embargo, esporádica o desordenadamente en el marco de escritos más amplios.
El cine español de los veinte años que van desde 1973 a 1992 vivió su suerte al compás del considerable cambio político del país. El paso desde la dictadura franquista al largo mandato socialista no podía resultar indiferente al devenir de una cinematografía permanentemente inscrita en la crisis. Reflejo más o menos directo de la realidad social y política, el cine español sufrió también su propia reforma afectado por las indudables transforamciones del espectáculo audiovisual, definiendo así una cruel paradoja, donde el forzado proteccionismo franquista al servicio de una política de control se vio irremediablemente suplantado por otro proteccionismo que se hizo necesario para la mera supervivencia de la cinematografía española. Pero esa evolución tuvo sus protagonistas destacados a uno y otro lado de la cámara, así como un puñado de filmes reveladores de las tendencias genéricas y temáticas dominantes, de los que este libro da cuenta, en un claro intento de articular una visión global de toda una época del cine español.
Se reúnen por primera vez en un solo volumen en edición facsimilar las tres obras referidas a Ciudad Real del historiador y académico de Bellas Artes, Rafael Ramirez de Arellano, respetando exactamente sus medidas en cuanto a caja y tipografías de los or
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catàleg de les obres premiades i seleccionades en la segona edició del Premi Internacional Guasch Coranty. El Premi té com a fita promoure i difondre la creació més innovadora a escala internacional realitzada per artistes professionals, amb edat no superior a 40 anys, que hagin acabat els seus estudis en escoles superiors i facultats de belles arts de qualsevol país del món.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.