Arquitectura



THE ORIENTATION OF BUILDINGS OR PLANNING FOR SUNLIGHT
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OLD COTTAGE AND DOMESTIC ARCHITECTURE IN SOUTH-WEST SURREY, AND NOTES ON THE EAR
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

«STREETS OF OLD PLYMOUTH.»
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

LOG CABINS AND COTTAGES
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

FIRESIDE LEGENDS
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

HARLEM’S STOREHOUSE PRIVATE ROAD
     The character and integrity of the architecture in Harlem, New York is a classic story of endurance, perseverance, and true neighborhood. Harlemites have endured many challenges to their community. After taking note of the house at 317 West 138th Street (architect Edwin R. Will) in my neighborhood, I felt there was a story that had not been told of a historical period from a significant past. From childhood, I recognized that Harlem and Bedford-Stuyvesant had the most impressive brownstones in New York City. I later discovered that the details of the pediments and motifs exhibited in these Harlem row houses were a silent history of a past livelihood.             A pediment is the triangular pyramid or roof of a house. The motifs are the decorative ornaments of the house construction. These pediments and motifs have become outdoor canvases that the architects have turned into a still life. One homeowner told me that his father has lived in their house since kerosene lighting lit the city’s streets (321 West 136th Street). Another elderly woman said that she has lived in her house since she was ten days old. For 417 Convent Avenue, I was told that the same ribbon motif is carried throughout the house. They are a legacy to the stability of the neighborhood. They recall the biblical parable of building your house on a rock foundation, so that it will withstand all elements.             In 1984, Philip Johnson’s introduced the post-Modernist style that redesigned the city’s landscape, with his AT&T Headquarters, now the Sony Building (Chippendale Pediment). Today little is remembered of the New York architects that came before him. Those American architects, such as, Henri Fouchaux, Alfred Zucker, Gronenberg & Leuchtag, William E. Mowbray, C.B. Johnson, Stanford White, and Vertner Tandy were a few of the ambitious artists who created impressive Harlem architecture in the late 19th and early 20th centuries. That was when architectural design was important to the development of The City of New York. Those significant contributions deserves special attention in the creation and livability of Harlem’s neighborhoods.  http://www.purplepenpublication.com